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Cinematical has just received this exclusive poster for the film Special, starring Michael Rapaport as a lonely meter maid who has a psychotic reaction to his medication and becomes convinced he's some sort of superhero. Back when Cinematical's Jette Kernion reviewed Special at the Austin Film Festival, she called it "different" and "attention-grabbing" -- adding that "Rapaport is riveting to watch as Les, as he transforms from a mild-mannered, easily duped meter maid to a self-identified superhero determined to help fight crime, and even further to his final state at the movie's climax."

As we told you last week, Special is part of Magnet's Six-Shooter Series, featuring six of the more talked-about genre flicks from the past year or so (Let the Right One In, Timecrimes, Donkey Punch, Eden Log, Big Man Japan) -- all of which are heading our way courtesy of Magnet Releasing. Special will hit theaters on November 21, but will be available On Demand beginning November 7.

When Cinematical reader Geoff M. sent us a note about a life-size Yoda cake he created for his son's fourth birthday, we simply had to see it because a) any dad who's down for a Star Wars-themed birthday party certainly meets movie geek standards, and b) any dad who'd actually take on the task of building a life-size Yoda cake for his kid is all sorts of awesome in our book. (This also brought back memories of my own childhood; when I was young my parents would spend crazy money building custom superhero birthday cakes (Incredible Hulk, Batman, Spider-Man) for yours truly. That eventually stopped, however, and it was Carvel ice cream cakes from then on out.)

Anyway, inspired by Ace of Cakes (groovy TV show if you've never watched) and an enormous amount of love for his little one, Geoff set out to make his own 100% edible life-size Yoda cake. And over on his site, he provides step-by-step instructions and photos (a couple of which you can see below) in case you at home would like to do the same. See, my only issue with this is that after all that work, I wouldn't be able to ruin the thing by eating it. Oh well ... I'm sure it tasted heavenly. The Force was strong with this one.



If you have or know of something cool, groovy, nifty, shiny, brilliant and Fan Made, feel free to shoot an email to leads AT cinematical DOT com.

It was kind of a boring weekend, so I thought I'd have a chat with two of my good pals and then foist it off as an actual article. Our topic of discussion was An American Carol, its reception from film critics and moviegoers, and the aggressive ways in which people often communicate through the internet (our review is currently up to well over 100 comments). Joining us today are my esteemed colleagues Eric D. Snider and William B. Goss. Let's listen in, shall we?

Scott: You both saw and reviewed An American Carol. What can you tell us about readers' reactions to your articles? (Eric's review here. Will's here.)

Will: Reader reaction was, for the most part, violently contrarian, with many equating the lack of laughter on my part to some sort of deep-seated anti-American sentiments, and not due to David Zucker's anti-humor stance.

Eric: Mostly the same for me. A lot of comments were posted within a very short span of time, and they said basically the same thing as each other, making me wonder if there was an organized effort somewhere urging people to make their voices heard.

Scott: Would you say you walked into the film with any prejudice or bias?

Eric: I was predisposed to liking David Zucker. I even liked (for the most part) the last two "Scary Movie" films, which he directed, which I think put me in the minority. I was wary of how good a comedy would be when it was made with such a specific goal in mind -- usually you gotta let the humor come first, then the ideology, not the other way around -- but I was curious to see what would happen.

Will: While I LOVE Airplane!, really like the first Naked Gun, and genuinely enjoy Scary Movie 3, I didn't laugh during the trailer and couldn't recall if I was ever pleasantly surprised by any film that went unscreened for press.

Eric: Good point... Not screening is almost always a bad sign. I'm sure that dampened my expectations somewhat.

We've had superheroes who actually hold some sort of power, and we've had normal folks pretending their super, but how about possible delusion, or secret superhero traits that lead you to spell poorly? As The Hollywood Reporter posts, Woody Harrelson and Sandra Oh are starring in a new film called Defendor, and Playlist-loving Kat Dennings is looking to join in on the fun. Woody will play a man who thinks he has a secret superhero identity, while Oh plays his shrink and Dennings would play a teen he becomes friends with. As a superhero, what sort of powers would suit Woody best? Leaping over buildings in a single bound? Tingling Spider sense? Stay tuned!

In the rumor realm, we've got buzz bubbling about a third Coco Chanel project (like two aren't enough). Beyond the TV movie with Shirley MacLaine and the feature with Audrey Tatou, The Guardian posts that there might be a third starring, believe it or not, Demi Moore. I guess the look is right, but could Mrs. Kutcher pull off a period piece -- one focused on an icon no less? (And just in case Coco isn't enough for you, the report also states that there are rumors about Vivienne Westwood and Kate Moss heading to the big screen.) *UPDATE: Westwood is on her way, with Kate Winslet signed to play the icon.

Now this next bit isn't exactly casting news, but it could become that -- Variety reports that Kevin Bacon is executive producing a new series for Showtime that dips into the life of Honest Abe's infamous assassin, John Wilkes Booth. Considering how well John Adams did, I wouldn't be surprised if Bacon grabs Booth's role for himself. There's a fair likeness.

Plus: Ex-Boston Legal star Rhona Mitra is heading to Separation City, and the ever lovely Beth Grant is dabbing in Extract.

(We're re-posting our review of Flash of Genius from the Telluride Film Festival to coincide with the film's theatrical release this weekend)

By: Eugene Novikov

Flash of Genius is a conventional crowdpleaser but not, I'm pleased to report, a shameless one. Chronicling the true story of a college professor's fight to reclaim his invention – the intermittent windshield wiper – from the car company that stole it, the film does many of the things you'd expect, but it may also surprise you. Don't let its Telluride placement fool you: this is a staunchly mainstream, unchallenging film, the sort of underdog-vs.-corporate-behemoth story you've seen time and again. But it's a decent rendition, hitting the right notes without insulting our intelligence.

Now, the intermittent windshield wiper is not exactly the light bulb. If you're not familiar with the term, the wiper is "intermittent" in the sense that it can pause between wipes – a problem that apparently puzzled engineers at all the major car companies until Kearns cracked it the late 60s. But part of what's nifty about the film is its ability to create suspense and curiosity around something so seemingly mundane. Kearns' first demo of his device to Ford is exciting in a very goofy way, but exciting nonetheless.

(We're re-posting our review of Rachel Getting Married from the Toronto International Film Festival to coincide with the film's theatrical release this weekend)

By: James Rocchi

Rachel Getting Married is a terse, smart, funny and tough family drama about forgiveness and failure written by Jenny Lumet; it's also a loose, smart, broad and bright film about family and love directed by Jonathan Demme. When these two things are in sync, the end result is something truly impressive – a moving story that appeals to your heart and soul without insulting your intelligence, a film full of big scenes that never stoops to the most obvious possible iteration of those big scenes, a movie loaded with great and sincere performances from the top down. When the two parts of Rachel Getting Married fall out of synch – as they do, most notably, in the last third of the film during Demme's raucous, joyous post-wedding reception – it's less catastrophic than it is curious, and the final film is still very much worth watching.

In one corner, we have Toni Collette and Philip Seymour Hoffman (doesn't that sound good already?). The Hollywood Reporter posts that PSH has just signed his voice up to star opposite Collette in Mary and Max, a claymation project from Down Under. Sort of like a claymation version of Love Letters, the film focuses on two penpals who foster a friendship over 20 years while one lives in Australia and the other in the US. I don't know if this is a tale of classic pen to paper, or something a little more modern with late-night Internet session while one goes to bed and the other rises. To make things even more interesting -- it's the feature debut for Harvie Krumpet Oscar winners Adam Elliot and Melanie Coombs.

In the other corner, there's one of the strangest couplings I've read in a while -- Helen Hunt and Liev Schreiber. Variety reports the pair are starring in a new drama called Every Day. What's weird -- they're playing a "couple whose marriage is strained to the breaking point." Nip/Tuck's Richard Levine will make his feature directorial debut with the film, which starts production in New York this month. I don't know why, but this pairing just seems really strange. They're not far off in age, so who knows?

Weigh in below: Which pair do you want to see more?

There's a new biopic finally gaining steam that hasn't been mentioned on Cinematical before -- HBO's Temple Grandin project. Back in August, Claire Danes signed on, and now The Hollywood Reporter posts that David Strathairn, Julia Ormond, and Catherine O'Hara have joined the cast.

Temple Grandin is a 61-year-old woman with autism known to be one of the leading voices in autism advocacy. As a child, she was derided by her classmates for being different -- nicknamed "tape recorder" because of her tendency to repeat things numerous times. But bursting out of that, Grandin went to college and eventually earned a PhD in animal science, ultimately becoming an advocate of humane slaughterhouses as well -- an ideal candidate to show both the struggles and successes that can come from autism.

A passion project that's been in the works for almost a decade, filming begins this month in Austin with Danes playing Grandin, while Strathairn plays her university science teacher, Ormond will play her mother, and O'Hara, her aunt. It's a great story to see come to fruition, and with this cast, I'm hoping for good things -- Danes breaking out of that older seductress habit, O'Hara getting a chance to be serious. Ormond is good and, well, Strathairn always ups the ante. Thoughts?

Cinematical has just received this exclusive clip from the new documentary Religulous, starring Bill Maher and directed by Larry Charles (Borat). In the docu-comedy, Maher travels from country to country examining faith and religion and the role it plays in the world. In the clip below, Maher, demonstrating his pro-marijuana beliefs, discusses whether you can be high and spiritual at the same time.

On Religulous, Cinematical's James Rocchi said, "it's a funny film about some depressing things, it's a lighthearted tour through terrorism, injustice and intolerance. But those contradiction and challenges are, ultimately, what make the film linger uneasily in your mind, reaching past comedy and confrontation to challenge the audience with a fierce and forceful prayer that there might be no god." You can listen to our audio interview with Bill Maher over here, and you can catch Religulous in theaters this weekend.

Okay, for this story I need you to try to remember something that happened, like, two years ago. Can you do that for me? Can you take your brain back that far, or do we need to call in McFly and the Doc? Anyway, remember all the hoopla surrounding James Frey's very popular book A Million Little Pieces? How Oprah used the so-called "memoir" to re-launch her book club, and how it turned into this huge success -- so much so that Warner Bros. desperately wanted to make a film out of it -- and how it later came out that Frey made up a good portion of the book ... and then Oprah smacked him around on TV ... and then the film went bye bye. Remember?

Well, that's what happened -- and now, two years after the fact, comes a film called A Million Little Pieces, based on the book by James Frey and directed by Nigel Tomm. And no, it's not being developed -- it's actually done ... in the can ... and available on DVD. Who's in it, you ask? Well, unlike the previous in-development adaptation, you're not going to see stars like Jake Gyllenhaal, Orlando Bloom, Josh Hartnett or Ryan Gosling (all of whom were interested in starring in the other flick). Nope, this one, according to its tagline, is -- wait for it -- "70 minutes and 41 seconds of pure turquoise screen. Nothing more, nothing less." On a budget of $345. Ahem. Confused?

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