Cinematical

Jamie Bell makes the best of a bad situation as Hallam, the titular teenage protagonist of Mister Foe, whose anger, resentment and paranoia drive him from his father's remote Scottish Highlands estate to the streets of Edinburgh in search of solace. Hallam's mother recently drowned in the loch behind the house, the apparent victim of a freak boating accident, and his dad (Ciarán Hinds) has moved on and married his former secretary Verity (Claire Forlani), whom he was seeing before his wife's untimely passing and whom Hallam believes is a gold-digging hooker responsible for mom's death. Bell conveys the kid's withdrawn distrust through restless body language and wary glares, while at the same time flashing steely, cocky defiance during Hallam's confrontations with dad and Verity, as well as nonchalant, gregarious charm in the company of others. His performance has a multifaceted vitality to it, equal parts wounded puppy dog and plucky fighter, and might have carried director David Mackenzie's follow-up to Asylum (adapted from a novel by Peter Jinks) were it not for the fact that the film doesn't treat its subject as a real person, but rather as a term paper-ready vessel for narrative themes of voyeurism and Freudian longing.

Acting couple Paul Bettany and Jennifer Connelly must have decided that life would be too calm after November 2008 -- so they have signed to play Charles and Emma Darwin in Creation. Yes, the Darwins. According to The Hollywood Reporter, the film will be directed by Jon Amiel, from a script penned by John Collee, and based on Randal Keynes' book Annie's Box. (Keynes is Darwin's great-great grandson.) The film will portray Charles Darwin as a man torn between his love for his deeply religious wife, and his growing belief in a world where God has no place.

I hope that they explore Darwin's personal struggles and belief more deeply than the plot description suggests. To sell him as an athiest smacks of wanting to stir up controversy -- Darwin always called himself an agonostic, and his rejection of Christianity stemmed as much from the tragic death of his daughter, Annie, as his research. It's a complex and fascinating biography, one that, as a lover of science and the history of it, I would love to see done with real justice.

The cast is certainly more than capable -- Bettany and Connelly are both wonderful, and they'll be joined by Jeremy Northam, Toby Jones, and Benedict Cumberbatch. Annie Darwin has yet to be cast. (I can't help but be amused by the fact that Bettany and Northam have played Darwin-inspired characters before, in Master and Commander and Possession, respectively. Pet interest, perhaps?)

I know the merest mention of Charles Darwin is enough to cause an epic flame war in the comments. If it's possible, try to keep discussion only to the film, the actors, the book, and Darwin's biography. That may be too much to hope for, but I beg you to remain respectful and tolerant of one another.

Cinematical has just received the first trailer for Nights and Weekends, written, starring and directed by Joe Swanberg and Greta Gerwig. The film, which first premiered during this year's South by Southwest Film Festival (or SXSW), follows one couple struggling to maintain a long distance relationship, and all the ups and downs that go along with that. Not only does it rank among Swanberg and Gerwig's best to date, but, as I said in my review, both "do a tremendous job tapping into everything we love about our relationships, as well as everything we hate – and they do this with moments, glances, kisses and tears. No score. No set pieces. No set up and payoff."

Like most films that carry the Swanberg and Gerwig name, it's experimental and it definitely takes risks in the way it conveys the story -- but that's also what makes it unique and a pleasure to watch. Instead of searching for plot points, you're forced to share this couple's most intimate moments together -- and not only does it feel raw, fresh and funky, but also satisfying and somewhat therapeutic.

IFC Festival Direct will bring Nights and Weekends to your living room via On Demand beginning September 24, and the film will also enjoy a theatrical run at New York's IFC Center beginning October 10th. Check it out, and let us know what you think. See the trailer below ...

Gerard Butler may have once sported the greatest eight-pack in the history of mankind, but his punishment for it (besides all the puking and crying I assume happened in the shaping of it) will be to answer questions about a 300 spin-off until the end of his career.

While at the Toronto Film Festival, where many of my lucky colleagues are, Butler was asked again about the franchise potential of 299 dead Spartans by Superhero Hype. "I've heard some backroom chatter, but nothing more, so I don't know if it would be a sequel or a prequel. I don't want say anymore than that, because I really don't know. I haven't read anything. I can't see it myself -- sequel for me absolutely not, but I just mean the idea generally, I'm really not sure which way they would go with that."

He was asked this same question at RocknRolla's ComicCon junket, and his answer then suggested he'd actually been approached with a more solid idea. "No. They mentioned it, and we'll leave it at that. It's a very interesting idea, I have to say."

By "interesting" idea, I keep imagining that the story involves King Leonidas being resurrected by a necromancer to fight an unspeakable evil. (That's actually going to be written into a spec, I just know it.) But honestly, it really must suck to be Butler sometimes. He's got his own production shingle, he's going to be directed by Frank Darabont any day now, and everyone just wants to know when Leonidas is going to be resurrected by a necromancer.

Why doesn't anyone direct the question to Frank Miller? He's supposed to be the one writing it.

(Thanks to MoviesOnline for their transcript of the RocknRolla junket -- I still curse my tape recorder.)

In case you haven't noticed, Cinematical has officially kicked off its coverage of the 2008 Toronto International Film Festival with reviews of two of the biggest films screening this year: Rachel Getting Married and The Brothers Bloom. We have so much in store for you this year, it's best if you just sit back, relax and thank your lucky stars that someone else is in charge of fighting the crowds, the snarky journalists and the lack of sleep.

Most of our coverage will land on the main page here, but you'll always be able to find everything in one place over on our official TIFF Hub. Additionally, down there to the right of your screen you'll see a special Cinematical TIFF Widget housing quick links to all our TIFF coverage. Best of all, you can snag that and put it wherever you want (your site, your friends' site, the site of a total stranger) -- this way you (and your readers) will always know what's going on in Toronto. Could we make it any easier?

So, are you ready to check out a sneak peak of this fall's hottest movies? Do I even need to ask that? Enjoy the coverage, and let us know if there's anything you'd especially like to see.

It was perhaps indicative of the demographic of tonight's Midnight Madness premiere screening of hotly buzzed JCVD that before the show, the line for the men's' room outnumbered the line for the ladies' considerably. But you didn't have to be a guy to enjoy the film, and especially the vibe of the screening.

Before the show we attended the Pre-screening party for JCVD at Century Club; the party, like most of the parties at big film festivals, was packed with folks vying for the free booze, but unlike a lot of fest parties I've attended, many of the people tonight were enthusiastically pumped up for the screening of a film that most of us knew little about, other than it played the market at Cannes, and garnered considerable buzz at that prestigious fest off its screening there.

A double Academy Award winner is going back to the future. Denzel Washington will star in the post-apocalyptic drama Book of Eli, to be directed by Albert and Allen Hughes, according to Variety. He will play "a lone hero in a not-too-distant apocalyptic future who must fight across America to bring society the knowledge that could be the key to its redemption." Sounds like the best of all possible worlds, doesn't it? Denzel as an intellectual action hero of the future.

Denzel has been resolutely dealing with modern-day problems for the last decade, so maybe he felt like a change of pace. As far as I can tell, the only time that Denzel's tipped his toe into future waters was back in 1995 with Brett Leonard's Virtuosity. In that movie, set just four years into the future, he faced off against a virtual reality Russell Crowe. How far into the future will Book of Eli be set? Who gets the blame for the apocalypse? Will this be a tale of weary, wary survivors or vengeful warriors? And what's in that book, anyway?

Amazingly, this will be the first feature from The Hughes Brothers since 2001's graphic novel adapatation From Hell. They'll be working from a script originally written by Gary Whitta (the two new Akira films) and re-written by Anthony Peckham (Clint Eastwood's upcoming The Human Factor and Sherlock Holmes for Warner Bros). Joel Silver is on board as one of the producers. Filming begins in January.

I bet when you woke up this morning, you thought the same thing I did: "When are we going to get to see Tom Cruise viciously murder a whole bunch of people on the big screen ... again?" Right? We're SO on the same wavelength here, like internet, movie-related soul mates from outer space! That said, fellow soul mate, Variety tells us that Cruise and United Artists have acquired rights to The Monster of Florence, based on the book by Douglas Preston. Cruise will produce and possibly star, though there's no word on whether he'd play the killer or one of the men trying to crack the case.

This is actually a pretty crazy story, and I believe it was the subject of a recent 48 Hours Mystery (or Dateline) where these two guys -- Preston and Italian journalist Mario Spezi -- were on an intense search to find out who exactly committed eight gruesome double homicides between the years of 1968 and 1985. Both men claimed to have found the guy, but then -- since they knew so much about the case -- both became actual suspects themselves. It's a pretty wild story and one that's ripe for the big-screen treatment. Only problem is it kinda suffers from "the Zodiac issue" where no one currently knows who the killer is, and so they won't be able to tie a nice, shiny bow around this puppy. Regardless, it's a good story and I'm curious to see what they do with it. You?

"One night in Bangkok and the tough guys tumble..."
-Murray Head

Don't ask me what happened to the real Nicolas Cage, because I don't know where he is.

I don't know what happened to the man who left Las Vegas, or the man who made Donald Kaufman into such an endearing figment of imagination, or the man who stole diapers as he stole hearts. All I've seen of late is a face, a name, a profile, a character, the artist formerly known as Nic Cage, an entity on auto-pilot and damn near self-parody that knows what he looks like and sounds like and makes do with that alone.

In Bangkok Dangerous, a remake by the Pang Brothers of their own 1999 thriller, Cage-Or-Something-Like-Him plays an assassin, perhaps the most laconic one this side of Forest Whitaker in '99's Ghost Dog: The Way of the Samurai, and he is so reliably aloof throughout, so divorced from the proceedings that it almost becomes its own form of entertainment... which is certainly helpful once genuine entertainment refuses to show up to any other degree.

Look, I don't want to make it sound like an either/or thing. You can see wide-release films AND art-house indies. I'm just saying that on this particular weekend, the only wide release is something starring Nicolas Cage in a mullet, and it wasn't screened for critics. So if it were an either/or thing, this would be a good time to become an art-house fanatic, and the Indie Spotlight is here to let you know what your options are.
Seven films are opening in limited release today: August Evening, Everybody Wants to Be Italian, Mister Foe, Ping Pong Playa, Save Me, A Secret, and Surfer, Dude. Here's the scoop on each of them.

Everybody Wants to Be Italian
What it is: A romantic comedy about a man and woman who both pretend to be Italian because they think the other is. OK, maybe this doesn't actually sound any better than the Nicolas Cage/mullet thing.
What they're saying: At Rotten Tomatoes, all of the reviews so far are giving it a big ol' kick in the meatballs.
Where it's playing: A few dozen theaters all over New York, New Jersey, Philadelphia, and ... Salt Lake City? Well, OK.
More info: The official site has a handy list of theaters where it's playing.

Ping Pong Playa
What it is: A light, clean comedy about an Asian-American kid who has to step in when his family's ping pong championship is threatened.
What they're saying: Cinematical's Monika Bartyzel found it simply adorable last year at Toronto, saying it's predictable but charming. The reviews at Rotten Tomatoes are mixed so far -- it's either sweet and likable, or an annoying Napoleon Dynamite retread.
Where it's playing: New York City, plus the California cities of San Francisco, Alhambra, Berkeley, Glendale, Hollywood, Irvine, and San Jose.
More info: The official site has upcoming playdates, too.