I've been fortunate enough to have been able to go to Cannes for the past four years now, and I'm getting ready for my fifth. And, as I often say when explaining film festivals to people who've never been to one, it's not just an adventure; it's a job. Cannes is a "get-away" the same way running from a burning building is "a tour of the grounds"; there are plenty of movies, plenty of work, and the overall emotional tone of the event is a mix of exhaustion and exhilaration. The heady moments of pure movie magic come fast and furious with the muck-and-money reality of international financing and distribution happening all about you.
Going to Cannes means seeing at least 40, maybe 50 or more movies in 10 days, never mind actually thinking and writing about them; you'd think that that kind of pace would soon turn into a blur, and it does, but it's a glorious one. Here's some of my favorite movie going moments (highly subjective, of course -- I've not included last year's ridiculously strong quartet of Persepolis, No Country for Old Men,The Diving Bell and the Butterfly and 4 Months, 3 Weeks, 2 Days, as they're still so fresh in my mind) from the past four years of the Cannes Film Festival; think of these as the rushed recollections of a film critic who knows exactly how lucky he's been.
(In honor of Mother's Day, we're launching a series of posts today written, in part, by our mothers after we asked them one simple (yet very complex) question: What's your favorite movie and why?)
I take a lot of credit for my mom's burgeoning cinephilia. Used to be that she'd balk at anything remotely suspenseful, frightening or "unpleasant" (I think because she makes herself so emotionally available when she watches a movie that a nasty one can really wound), but I'm happy to report that last year, she voluntarily sat through No Country for Old Men, and even enjoyed it. When I asked her to name her favorite movie, she rattled off a list long enough that I had to stop her and tell her that this isn't the assignment. When I insisted she narrow it down to one, she regretfully cast off House of Games, You Can Count on Me and The Savages(Laura Linney is beloved in the Novikov household), and landed on The Godfather. By the end of the movie, she says, she feels like one of the family -- which is slightly terrifying, but I can see what she means. She tells me, "I can watch it every day and never get tired of it;" I believe her. And I'm awfully proud of her choice.
(In honor of Mother's Day, we're launching a series of posts today written, in part, by our mothers after we asked them one simple (yet very complex) question: What's your favorite movie and why?)
Momma Snider's preferred method of watching TV and movies is to sit on the couch with her laptop or her art projects and keep one eye on whatever my dad is watching. But sometimes a movie grabs her complete attention. She loves scary movies (nothing R-rated, please), and she has a weakness for Adam Sandler. We both loved Waitress and Hairspray last year, a somewhat rare convergence of our opinions. And Mom and I agree on another film, too....
"I love Remember the Titans. It's set in my senior year in high school, so the music reminds me of high school. I'd love to get the soundtrack. [I don't think she intended that as a hint, but I took it as one anyway.] It's such a warm story. I have trouble comprehending that in 1971 in some parts of the country there was still that kind of racial junk going on, but I guess it was like that in the South. It comes on TV a lot, and we have it on DVD -- and VHS -- so every time it comes on we start watching it, and then we get frustrated with the commercials and put on the DVD. And Denzel Washington! I love Denzel Washington."
(In honor of Mother's Day, we're launching a series of posts today written, in part, by our mothers after we asked them one simple (yet very complex) question: What's your favorite movie and why?)
My mom and I share such similar tastes that I expected her favorite movie to be one I also loved – but I was still surprised to find it was this one! It had a similar effect on us both, even with all the inaccuracies. When I visited Scotland last year, it broke both our hearts that she wasn't with me, visiting the places Wallace really lived, fought and died. Some Mother's Day, I will take her there!
"Asking someone who loves movies to pick one favorite is cruel to say the least. The story must touch my heart, and leave an indelible impression that changes my life. After great deliberation, I chose Braveheart. It gave me everything I could want in a film. A real life hero, an epic story, great performances, great cinematography (you couldn't ask for a more beautiful setting), great musical score, great costumes, drama, battle scenes, and romance. I never grow tired of watching it, and I never make it through the end without tears. I'm willing to forgive its historical transgressions because the film engulfs me, sucks me in and transports me to medieval Scotland. A costume drama of the very best kind. The heart wrenching tragedy of William Wallace left a permanent impression on me. Wanting to know the true story behind the film led me to dig deeper, not only into English and Scottish history, but into my own heritage in a way I never had before." – Julie Rappe
Just when you thought it couldn't get worse for Lindsay Lohan, Nikki Finke's Deadline Hollywood Daily reports that Lohan has been dropped from the true-life crime flick, Manson's Girls. According to DHD, "people associated with the movie told agents that Lohan quickly became more of a deficit than an asset when they discovered that they couldn't find any name actresses who wanted to co-star with her. (And even some name actors...) So now Lindsay is off the pic."
Ouch, that can't be good for her self esteem, although the gossip gal in me would have liked to hear the names of some of those "name actors".
Remember the days when FBI profilers hunted serial killers the old fashioned way, assisted by their fellow law enforcement officers? But ever since Clarice Starling had to go and enlist the help of Hannibal Lecter, now it is just standard protocol to pair up with a serial killer.
Deal with the Devil is the latest version of that tale -- except this one is a comic book by Mike S. Miller. According to The Hollywood Reporter, it's just been picked up by Lionsgate. The story follows FBI Agent Anthony Goodwin, a legendary manhunter until his final case. The killer he was after, Kevin Runyan, turned the tables and became his hunter. He loses his career and his suspect -- who turns up four years later, asking for his help. Goodwin must decide whether to help the man stop a dangerous copycat killer.
When David Mamet's Redbelt was announced, the initial simple summary seemed bizarrely incongruous: A noted playwright and dramatist making a film about martial arts? But while Redbelt involves the worlds of Jiu-jitsu and mixed martial arts, it's really just another way for playwright, screenwriter and director Mamet to look at the world. As martial arts instructor Mike Terry (played by Chiwetel Ejiofor) is taken from his noble (but underfunded) studio and plunged into the greed and glitz of Hollywood and commercial fighting.
As Mike tries to hang on to the things that matter to him in a world that dismisses honor as unprofitable, Mamet's script and direction create a film that somehow puts a philosophical twist on traditional fight films while also embodying everything we love about them. Cinematical spoke with Mamet and Ejiofor in Los Angeles.
It sounds like a prank. We would all like it to be one. But it seems to be legit.
The story comes from Screen Daily, who reports that S. Darko is being shopped around, with Fox already picking up the North American distribution rights. Touted as the sequel to the 2001 cult hit, the story picks up seven years after Donnie Darko left off. The youngest Darko, Samantha, is now 18 and abandoning her commitment to Sparkle Motion. She heads to Las Vegas with her best friend Corey, but the two are plagued with bizarre visions. I imagine they will involve a rabbit.
Richard Kelly, the original director, is in no way involved. Chris Fincher Fisher* will direct instead. Daveigh Chase, who played Samantha in the original, will reprise her role. It looks like she is the only one. The movie also stars Ed Westwick, Briana Evigan, and Justin Chatwin.
As to the big looming question of why, oh God, why, Simon Crowe of UK sales company Velvet Octopus says they're thinking of the children. "I think there is a new generation of cinema-goers who will be very excited to see this film." Which generation came of age between 2001 and 2008? Why haven't they rented Donnie Darko? I am afraid these are questions to which Crowe has no answers. But he did quip, "Donnie's not in [the new film] but there are meteorites and rabbits."
Nothing is safe from the all mighty dollar, my friends. Nothing. Even when there is a pretty conclusive ending, there can always be a sequel. I'll leave you to think about that as I go pen my script for No Country for Old Men 2.
*Very kind thanks to astute reader toad_stone for pointing out our egregious misspelling of director Chris Fisher's last name. Correction made, with our apologies. - Ed.
I have to hand it to the wardrobe people for Steven Soderbergh's The Informant since it's not easy making a guy who normally looks like this look like such a schlump. The Bad and Ugly have posted some behind-the-scenes photos for the comedic thriller, and even though there is nothing earth shattering going on, they are definitely a step up from the other pics floating around out there.
The Informant is based on the true-life novel by Kurt Eichenwald. The story revolves around Mark Whitacre (Damon), a rising star at the agriculture conglomerate, Archer Daniels Midland (ADM). At the urging of his wife (who had threatened to go to the FBI), Whitacre spilled the beans to an agent that he had been involved in a price-fixing scam with other major corporations over the food additive, lysine. As if that wasn't enough of a story, it was later revealed that Whitacre (one of the most high profile, whistle-blowers in history) was suffering from Bipolar disorder and had defrauded millions from ADM.
For such serious subject matter, it came as a bit of a surprise when casting announcements first went out for the film and the list was chock-full of comedic actors (including Scott Bakula and Tony Hale). Soderbergh later confirmed that the film was going to be a "dark comedy", which makes sense because Damon is a pretty funny guy, and a great straight man. Soderbergh has just begun filming on location in Decatur, Illinois and there is no official release date, but The Informant is expected to arrive in theaters in 2009.
I don't think it will be quite like the clip above, but we're about to get a new serving of William Tell. Variety reports that producers Fred Caruso and D. Constantine Conte are bringing Tell's story to the big screen in The Adventures of William Tell. Stunt coordinator and second AD Ian Quinn is going to make his directorial debut with the $60 million production, which was adapted from Friedrich von Schiller's play by Cornelius Schregle.
But here's the kicker, aside from probably hearing that super-speedy overture in a non-Lone Ranger setting -- it will star Charlie Chaplin's granddaughter, Kiera Chaplin. She will play Tell's wife in the film, although there's no word on who will play Tell himself. Now, we all know the music, but do you know the story? It's about the 14th century legend of a man who was forced to shoot an apple off of his son's head to win his freedom from some jerky Austrian occupiers. "The event is said to have triggered a rebellion by the Swiss against their Austrian rules and transformed Tell into a mythical freedom fighter." (... as well as one very sneaky and insidious song.) Production will start on the film this fall, with a release schedule for 2010.
You know, they say that you shouldn't go into business with family and friends. Yet many people still do, and many people also begin to take the advice to heart sooner or later. But what about people you meet in a support group? That sounds totally rational, doesn't it? Let's take it a bit further -- imagine you go into business with strangers you know all have anger issues. It sounds like hell in real life, but may make for a funny film on the big screen.
Variety reports that Heather Graham, Jennifer Coolidge, Matthew Settle (the cool art dad from Gossip Girl), and Amber Heard have signed on to star in a new black dramedy called Ex-terminators, which was written by Suzanne Weinert, and will be the feature directorial debut for Scrubs helmer John Inwood. So yes, this film will focus on "three women who meet in an anger-management therapy group and decide to form a traditional business using very untraditional methods."
This is feeling like one of those projects that could very easily be good, and just as easily be stereotypical and over-the-top bad. Whichever it ends up being, I imagine it will have a healthy dose of quirk involved, considering all the time Inwood has spent on Scrubs. Production began last week in Austin.
Cinematical was just sent this exclusive clip from the upcoming Youth Without Youth DVD, starring Tim Roth, Alexandra Maria Lara, Bruno Ganz and Andre M. Hennicke. Produced, written and directed by the legendary Francis Ford Coppola, Youth Without Youth follows linguistics professor Dominic Matei (Roth) who, in 1938, gets struck by a bolt of lightning and starts aging backwards, from 70 to 40. There's seemingly no limit to the wonder and love he can find in his new youth. He pursues lost dreams, endless knowledge and the secrets of life until his secret is discovered. Now he must use his increased intelligence to keep his powerful secret safe from the wicked powers that would use it for evil. The above behind-the-scenes clips shows how the filmmakers went about aging Tim Roth through make-up and other wacky techniques. (And, personally, I just love Tim Roth in anything -- so I'd watch something like this a bunch of times.) Here's a question: What's the first thing you'd do if you started aging backwards?
Youth Without Youth arrives on DVD and Blu-ray High-Def on May 13th.
Foster will play an army dude who is assigned to one of the crappiest jobs out there, aside from cannon fodder. He gets teamed up with someone he doesn't like and has to inform families when their loved ones have died in combat. Somehow, he ends up falling for a soldier's widow, which I imagine complicates matters. THR goes on to state that this is being billed as "a poignant, life-affirming road movie." As a "road movie," it could be that Foster drives around to tell these families. However, he needs enough time to fall for a widow, so maybe we're going to get some military Three for the Road type action? Whatever the case, the film starts production on May 20, so maybe we'll hear more soon.
Who would you rather be on the road with: Ben Foster or Woody Harrelson?
Catching an afternoon screening of Iron Manlast weekend, the questionably denigrating representations of Afghani villains bugged me less than the bizarre cultural references in the trailers preceding it -- especially when it came to accents. Three previews in a row contained characters speaking intentionally mangled English, a fact all the more recognizable because all of them were played by well-known actors. You Don't Mess With Zohan showed Adam Sandler as a tough Israeli hair stylist. The Love Gurupreview found Mike Myers blabbering on with South Asian inflections. Rounding things out in perhaps the most innocuous case, Cate Blanchett popped up as a Communist baddie inIndiana Jones and the Kingdom of the Crystal Skull. Are these gross caricatures or fair play?
We've touched on this issue before, but it looks like each month the trend gets a little stronger. There's edgy and there's a line: Borat may or may not send the wrong message, but the character's faux Kazakh accent tells you a lot about the way Americans tend to judge foreigners on the basis of their less-than-perfect English. The specific nature of the satire gives Cohen's performance an underlying purpose -- unlike, say, Love Guru, which seems more like a chance to ignorantly marvel at Myers' ability to turn Indians into a continuous punchline. Recently, a few Hindu groups launched protests against the film. This could mark uncharted terrain for Myers, who did not, as far as I know, get lambasted by any hippies after the first Austin Powers.
Cinematical has just received this exclusive, action-filled clip from Tarsem Singh's The Fall. The film is set in a Los Angeles hospital in 1915, where stuntman Roy Walker (Lee Pace) is recovering from a stunt-gone-wrong and the fact that his girlfriend dumped him for the film's leading man. Set on ending his life, he befriends the young Alexandria (Catinca Untaru) in order to persuade her to nab him the morphine he needs for his suicide. He begins to tell her amazing stories, full of people from his life and the hospital, to get her anxious for more, and to make her do his bidding.
The clip shares a scene from one of those stories, and is full of horses, dusty action, the freeing of slaves, and even some first-sight romance. This is definitely looking to be a rare gem -- a great story with a myriad of beautiful scenes. The film goes into limited release this Friday.