After the gut-wrenching terror of No Country for Old Men (I haven't been that tense in a movie theater since, well, ever), I can safely say that I am incredibly relieved that the Coens' next film, Burn After Reading, looks like it is going to be a lot more fun. First Showing now has some stills from the Coens' black comedy, and it would appear that the brothers are returning to what I like to call their 'Raising Arizona roots.'

Burn is the story of a CIA agent (played by George Clooney) who is assigned to investigate the case of a former agent named Ozzie Cox (John Malkovich) who has taken his revenge on the agency by writing a tell-all memoir. When Cox's ex-wife (played by Tilda Swinton) steals the only copy and leaves it behind at her gym, the gym's owner (Frances McDormand) and star personal trainer (Brad Pitt) see an opportunity to engage in a little blackmail.

The Coen flick just got the nod to open the Venice Film Festival this year, but Burn will not be making an appearance at Cannes this year (which is a little strange considering the luck they had at the French festival last year). This makes it zero for two for Pitt now that his other high-profile film, The Curious Case of Benjamin Button, also failed to make the list for Cannes. Burn After Reading is scheduled for wide release on September 12th, 2008.

Now this is an intriguing movie premise. Variety reports that Paramount and Brad Pitt have grabbed up the rights for Lost City of Z, David Grann's yet-to-be-published manuscript about a group of lost explorers. Brad Pitt will be producing with his Plan B shingle as a potential starring vehicle.

Grann's book uncovers the forgotten story of British explorer Col. Percy Harrison Fawcett, who set out in 1926 with a group of explorers to find a legendary "City of Z" in the Amazonian rainforest. They disappeared without a trace, and over the next 70 years numerous explorers have tried to retrace their steps, including Grann himself. No one has ever succeeded.

The book, which will be published by Doubleday in February 2009, is an expansion of an article Grann wrote on Fawcett for the New Yorker. (There's an abstract available on the New Yorker site, but one needs access to Lexus-Nexus to obtain the whole thing.) It sounds like a page turner of a story -- rumors of Fawcett being held in captivity, murdered by native tribes, even a theory that the City of Z was a portal to another dimension. The early years of the 20th century were such a hotbed of exploration, too. Everyone wanted to find tombs and lost cities. There haven't been many serious movies set around the heyday of the tomb raiders, so this could be really promising. Or it could completely stray from nonfiction and jump into the realm of the metaphysical -- maybe Pitt is sorry he passed up The Fountain and wants to tackle Mayan spirituality after all?

If nothing else, at least fans of Max Brooks' book World War Z can be a little more at ease with the idea of a big screen version. AICN reports that they have gotten their hands on an early version of the script for the 'zombie drama' World War Z ... and what's the verdict? According to them, "I love this script. Love every dark, somber, upsetting page of it. This is a horror epic, a serious, sober-minded adult picture waiting to be made, and it's one of the best pieces of screenwriting craft I've encountered in a while." AICN's review also goes into detail about some of the plot for the film, so if you haven't read the book and like to be surprised you might want to avoid reading the whole review.

News of the film first emerged last February, when it was first announced that Brad Pitt's Plan B Productions would produce a feature film. The structure of the novel is a compendium of stories from survivors of a war between the living and the undead. The plot jumps time and space, so it must not have been an easy task to weave all these stories into one narrative. The task fell to J. Michael Straczynski (a comic book writer and a creator of TVs Babylon 5), and it would appear that he has done a bang up job of it.

Even though a lot of fans of The Coen Brothers haven't been all that happy with the results of their collaborations with George Clooney (I think I was one of the eight people in the world who actually enjoyed Intolerable Cruelty.), I've still got a good feeling about their CIA comedy, Burn After Reading. The Hollywood Reporter has announced that Focus Features will release the dark comedy on September 12th of this year.

Burn has an all-star cast including Clooney, John Malkovich, Frances McDormand, Brad Pitt, and Tilda Swinton. I would guess that it's been like 'old home week' on set; we all know that Clooney and Pitt are buddies, and Swinton could be an honorary member of the boys club after her Oscar winning performance in Michael Clayton (and judging by her acceptance speech, she seems comfortable with a little verbal rough-housing).

The comedy stars Malkovich as Ozzie Cox, a CIA vet who gets fired for being an alcoholic, and writes out his revenge in a memoir. His soon-to-be ex-wife (Swinton) accidentally leaves the memoir at a gym, where it falls into the hands of a trainer, Chad Feldheimer (Brad Pitt), and the gym's owner Linda Litzke (Frances McDormand), who want to exploit the discovery. It sounds like a pretty 'fluffy' flick, but I think we could all use a break from the Coens' more "intense" point of view, wouldn't you agree, friendo?

We've already brought you Brad Pitt selling Pringles. But how about the good old days when Brad acted his young heart out? Well, you could say acted, but his talents back in the '80s do not reveal the success to come. You can search around and find some embarrassing clips from his stint on Dallas, but I thought I would throw up a little pirate flavor.

Back in 1988, Pitt popped up as a high school student in an episode of 21 Jump Street. Along with Captain Jack Johnny Depp and Peter DeLuise (who is currently a director on the new Canadian show jPod), you'll also notice Cheryl Pollak -- who played smartie Paige Woodward in Pump Up the Volume. So her brother spends a night in jail, with his super-saucy mullet, and letterman-jacket Pitt teases him mercilessly because the bad dude partied without him. I have to say, Pitt's voice sure got deeper over the years. Brad totally could've pulled off a cross-dressing role back then.

If you still haven't seen all the Oscar-nominated films, you're not alone. I still haven't seen a number of them, and I have less excuse than most people. After all, I live in a city in which pretty much every nominee has played. Some major contenders I haven't gotten around to -- with little reason for not -- include Atonement, Sweeney Todd: The Demon Barber of Fleet Street and Into the Wild, all of which are still in theaters and are probably best to see on the big screen.

Apparently, at least according to Variety, a lot of people are seeing the Oscar nominees on the big screen compared to in previous (recent) years, as cumulatively the five Best Picture contenders have seen a significant bump at the box office since the nominations were announced. I would be extremely excited if I didn't believe the truth is that Juno's tremendous success has elevated the Best Picture box office average. The comedy is showing on far more screens, is much more accessible to a wide audience and has so far earned twice as much money domestically as the next highest-grossing Best Picture nominee. Variety also this week had published a story about how Juno is the one movie that may save the Oscar telecast's ratings, since it's the one movie people have actually been able to or bothered to see. One thing I will note, though, is that Best Picture nominee Michael Clayton came out on DVD this past Tuesday and yet there was still a significant number of people seeing it in theaters through the week. Additionally, I would be interested to know how many people took advantage of yesterday's AMC Theatres-hosted Best Picture marathon.

Cinematical is live at the 2008 Independent Spirit Awards! Our own Patrick Walsh will report back throughout the afternoon.

It is officially raining, and the big-time stars are rolling out. Javier Bardem is looking very dapper, I'm pretty sure I just saw indie favorite The Rock (?), and crowd just collectively spazzed out over Brad Pitt and Angelina Jolie. I was just interviewed (insulted) by Jiminy Glick on Good Morning America so watch for that, though I'm not sure how much of it they'll be able to use. The discussion culminated with him dumping a barrel of popcorn on himself. Some quality journalism there! Seriously, I can't quite convey how funny Martin Short has been here today. Favorite line -- "I have lost weight, I'm doing Atkins. Not the diet, his widow."

Raining has given way to pouring, and the red carpet is looking soggy and bare. It's ten minutes to showtime and I'm about to head under the big tent for the show. I'll do my best to update you on the winners as they happen, and if you get the Independent Film Channel you can join in the Rainn Wilson-hosted fun live. My thanks to Netflix for setting up this sweet little blogging suite for me, and as an active subscriber, I don't even have to feel like a shameless whore saying that. Sorry for the rambling nature of these posts, but it's been pretty hectic...

For more photos and coverage, head on over to Moviefone.

John Orloff got his break writing two episodes of the Emmy-winning HBO mini-series Band of Brothers. His latest script is another true-life tale -- Michael Winterbottom's A Mighty Heart, just out on DVD. Heart focuses on Mariane Pearl (Angelina Jolie), a reporter whose husband Daniel, an American journalist, was kidnapped and murdered in Pakistan. The script just earned Orloff an Independent Spirit Award nomination for Best First Screenplay. The awards will be held on February 23rd.

Cinematical: When did you know you wanted to be a writer?

John Orloff: I still don't know whether I want to be a writer! I went to UCLA Film School, and I had a great writing teacher who thought I had a particular skill in that department. So I kept taking that teacher for the whole time I was at UCLA, kept on writing. At the end of it I was 22, it was the late 80s, and people weren't really hiring young writers, so I started to work in advertising. Spent about ten years miserably working in commercials, until I met a woman -- who is now my wife -- who was working in the business as a development exec at HBO. And she was bringing home all these screenplays, and they were horrible! Just awful! And these people had agents, and they were working. So I pitched my wife a non-fiction movie that I had been thinking about writing for ten years, with the incredibly commercial idea of a sixteenth century English melodrama. It was actually about the Shakespeare authorship issue -- who wrote the plays? I wrote the script and had the misfortune of writing it two months before Shakespeare in Love came out. But I sent out this script, trying to get an agent, and did finally get "hip-pocketed" by an agency.

Cinematical: And that script eventually got you your big break with Tom Hanks -- pretty decent guy to start out with, no?

JO: Tom Hanks and Steven Spielberg, yes! The most important thing that happened out of the Shakespeare script was that Tom's company was among the readers. They liked it, and I met with Tom about another project, but every time I sat down with him I would ask if he had hired writers on Band of Brothers. I'm a huge World War II buff, and I think I eventually just wore him down. He finally asked me to write a script, and I wrote one episode. He was very happy with it and asked me to write another. So, that was my first paying gig.

Here's a phrase you might be hearing at some point in the near future: "Kids, pack up the car -- we're heading to Missouri to visit the brand new Brad Pitt museum!" I kid you not. According to a story over at Hollywood.com, Pitt's hometown of Springfield, Missouri is in the early planning stages of building a museum celebrating all things Brad Pitt. The decision comes after the town noticed -- their words, not mine -- "a growing number of fans making a pilgrimage to the area to learn more about where their idol spent his formative years."

Look, I understand the pilgrimage thing for folks like Elvis, Jim Morrison, John Lennon and that cupcake featuring the face of the Virgin Mary. But Brad Pitt? Springfield, Missouri? Really? I guess this means Springfield, Missouri has officially given up their quest to be known as the home of The Simpsons -- and I don't blame them. That's a fictional cartoon family, and this is a real-life human being, who, we've heard, melts the hearts of anyone who stares at his smile for more than 30 seconds. Literally! Like, their hearts melt and they go poof! (Can you tell I'm reachin' here?) Anyway, if you live anywhere near Springfield, Missouri, do let us know when this museum opens up. I'd personally love to go ... and I'll be wearing this mask when I show up -- for no other reason than to freak people out who walk past me.

So this is probably way too early to start getting excited about David Fincher's The Curious Case of Benjamin Button -- but cut me a little slack; it's not like this guy is known for making movies with any frequency. Frankly, I should probably just take what I can get. Hollywood Elsewhere has received a scoop from the set of Button, and even if you only believe half of what was reported then things are still looking pretty good for the literary adaptation. According to Elsewhere, the news came from the husband of the costume designer for the film. There is no shortage of praise in the report and some of the highlights of what she said include: "the script was top-notch" and that, "Fincher and Brad Pitt were consummate professionals".

Button is based on F. Scott Fitzgerald's story about a man who finds love at 50 only to begin to age backwards, causing him some serious complications (and if you ever wondered how Pitt was going to age, then here is the chance for a sneak peek). The movie is a reunion not only for Fincher and Pitt (who worked together twice before), but also for Cate Blanchett as well (she also co-starred in the Oscar-nominated Babel with Pitt). Also in the cast are Julia Ormond, Elle Fanning (sister to Dakota), and Tilda Swinton. Pitt even got his family in on the film and his daughter Shiloh will be making her screen debut -- so much for keeping his kids out of the public eye.

Elsewhere's scooper went on to say that, "some of the sequences they saw that had been edited were absolutely stunning. Her description of the mood of those who worked on it is that of bated breath -- a near universal belief that they have made an outstanding and moving film, one that transcends and one they wish not to jinx by too much loose talk". Well, if nothing else it is nice to know that I am not the only one betting big on this film. The Curious Case of Benjamin Button is set for release on November 26, 2008.

2007 was an above average year at the movies, far better than the depressing state of 2005 or 2006. And for me it was also the year of the Western. By coincidence I happened to be studying the Western in a graduate course taught by Jim Kitses, who is arguably the #1 Western movie scholar in America. During my semester, 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford and No Country for Old Men opened in theaters, and we studied them in class. Two of these would have made my top ten anyway, but looking at them in-depth gave me even greater pleasure and made me even surer of my choices. Seraphim Falls and There Will Be Blood were also Westerns of a sort, and the number and general high quality of these films make this the strongest year for the genre since the early 1970s, or perhaps even the late 1960s.

The most frustrating thing about the year is that three of my favorite movies didn't qualify for list consideration. David Lynch's Inland Empire opened in 2006 but didn't screen for the San Francisco press until early 2007. (You can look for it on my best-of-the-decade list instead.) Charles Burnett's Killer of Sheep is a masterpiece, and an essential part of the history of American cinema. It had its official theatrical debut in 2007, but I decided that its contribution to cinema has more to do with 1977, when it was made, than 2007. Finally, Quentin Tarantino's uncut version of Death Proof was a revelation, and far, far better than the truncated version that most people saw in Grindhouse. It screened at Cannes and then went straight to DVD in the U.S., so it, too, was disqualified. No matter. I came up with ten excellent films anyway.

1. The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik, USA)
Normally I like to save my #1 slot for a film by a proven master, and Dominik is far from that; his only other film, Chopper, failed to prepare me for the astonishing, haunting dreamlike quality of this new film. I have to admit I thought about this movie just about every day since I saw it. It's too easy to label this as a "revisionist Western," since it contributed so many new ideas to the genre. It's by far the best Jesse James movie ever made, and certainly one of the greatest Westerns I've ever seen.

After all the comments in reviews about The Assassination of Jesse James by the Coward Robert Ford being Terrence Malick-ish, it appears that Brad Pitt wants the real deal. According to Variety, Pitt is in talks to star alongside Sean Penn in Malick's next film, Tree of Life. Already the film has seen cast replacements; first attached were Mel Gibson and Colin Farrell, then Penn and Heath Ledger. Now it's Ledger who is out (perhaps because Terry Gilliam's The Imaginarium of Dr. Parnassus is expected to go long?) with Pitt set to replace him. As Variety points out, Pitt's consideration of the role is interesting after bailing from State of Play, for which he would have made a whole lot more money. The trade also clears up that Penn's part will be fairly minor in comparison to Pitt's.

As I said in my previous post on the film, the plot of Tree of Life is unknown, but it may have something to do with a Minotaur (like in Gilliam's Time Bandits? no probably not like that). And it may be shot in India. Apparently the film has roots in a project Malick began thirty years ago called Q, which originally focused on World War I and eventually became an eon-spanning story. All that is known is that production begins in the Spring. Maybe, just maybe, it can hold on to this cast until then. These actor swaps are making my head spin. Unfortunately, neither Pitt nor Penn are locked into the film yet, so it's very possible we could see more casting coverage of Tree of Life before the cameras are in place.

Listen up ladies (and gay men everywhere) -- Brad Pitt wants you to know that he will not be performing any more nude scenes for the remainder of his career. Get that? His reason: "I don't want to be embarrassed when my kids get old enough to see my films. I can't see any more nude scenes [in my career]." Should we go the whole moment of silence route? Is it worth it? During his interview with the BBC (via People), Pitt's eyes were clearly on the future. "I figure I've got very few films left. Who knows how many I'll get to do now, so I want something I'm interested in. Otherwise, I don't want to bother. I think it's a younger person's game." Is it just me, or does the guy sound like an over-the-hill actor approaching his 90th birthday. Dude! Lumet is 83-years-old and he's opening up his films with Marisa Tomei doing it doggy-style! Get a grip Pitt!

Oh, but we're not done. When asked whether the gang would reunite for another Ocean's flick, Pitt replied: "There's no more. I think we need to put away childish things." Childish things? Is this the same Brad Pitt we all grew to love and adore? The Ocean's films were simple, funny and enjoyable -- is Pitt trying to say that comedy is childish? Fortunately, his old lady Angelina Jolie isn't done rolling around with younger men, while playing with big toys. Her next film, Wanted, finds the gal blowing up all kinds of nonsense. Oh, and she also voices a character in the animated (and childish) flick Kung Fu Panda. Note to Pitt: For the sake of your children, loosen the hell up.

When Brad Pitt ditched his starring role in State of Play last Wednesday, it seemed like for once a production was hitting snags that have nothing to do with the writer's strike. Not true; it turns out Pitt's departure was due to a script problem, specifically that Pitt thinks it needs some more work and Universal disagrees, and so State of Play has become yet another victim of the strike. But unlike other strike-affected movies, such as Pinkville and Shantaram, State of Play may not be going into a development hibernation. According to Variety, Universal is attempting to woo Russell Crowe to fill Pitt's shoes and keep the movie on track. Crowe would have to make sure he can squeeze this film in before his March start on Ridley Scott's Nottingham, while the studio would have to make sure that Crowe doesn't mind problem scripts. If the actor doesn't get cast, though, Variety points out that both Tom Hanks and Johnny Depp seem to be available thanks to the strike (same goes for Bruce Willis I think).

Obviously, Universal is hoping to get this movie made no matter what, because it needs to have something in the can once the strike has left us with a release void. Yet despite the strength of its cast, which includes Edward Norton, Helen Mirren, Rachel McAdams, Robin Wright Penn and Jason Bateman, the studio has to understand that if the script is problematic, the outcome may be a disappointment. It's worth pointing out that the plot of State of Play, which deals with politics and journalism, sounds superficially like the recent remake of All the King's Men, which had a stellar ensemble yet failed anyway. State and Play may be nothing like that film, but regardless it does remind me enough to foresee a failure. Anyway, we should hear definite word on whether or not Crowe takes the part early this week. We should also hear definite word, though probably not this week, on whether or not Universal plans to sue Pitt over his exit. The case will certainly be interesting to follow, because it could change the way in which Hollywood deals with A-list talent and pay-or-play contracts.

What's up with Brad Pitt dropping out of projects? The guy is notorious for either ditching or almost ditching films right before they're supposed to go into production (The Fountain would be one example), and Variety tells us the hottie commitment-phobe is up to his old tricks yet again. This time Pitt has exited the starring role in State of Play, which was all set to begin shooting last week, however Pitt and director Kevin Macdonald were having lots of issues and, thus, the A-lister has opted out of his deal. An official statement from Universal reads as follows: "Brad Pitt has left the Universal Pictures production of `State of Play.' We remain committed to this project and to the filmmakers, cast members, crew and others who are also involved in making the movie. We reserve all rights in this matter."

The studio will now scramble to fill Pitt's role, and with so many films being postponed because of the strike, they still might be able to snag an A-list replacement on short notice. If they don't secure someone quickly, though, they'll risk losing most of the stellar cast already locked in: Edward Norton, Helen Mirren, Rachel McAdams, Jason Bateman and Robin Wright Penn. Based on the British miniseries, State of Play follows a "politico-turned-journalist (supposed to be Pitt) who spearheads a newspaper's investigation of a murder, a trail that leads to the fast-rising pol whose campaigns were once masterminded by Pitt's character." No word yet on potential replacements, but the names Tom Hanks and Johnny Depp are floating around due to their respective projects (Angels & Demons, Shantanblahblah) being placed on hold.