Monika Bartyzel
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Free Flick of the Day: The Doom Generation
Filed under: Home Entertainment
The '90s were a good time to be a teen -- especially if you were itching for more than just the mainstream. Nestled between the John Hughes '80s and the bubbly Disney '00s, the '90s were a time when teen films thrived in tunes-led rebellion. It wasn't all about spunky mainstream music marketing and bubbly personalities. Scores and strangeness got to go a little wild, and Gregg Araki ran with that idea when he made The Doom Generation. Dubbed Araki's "heterosexual movie," the film starred then-newcomer Rose McGowan as Amy Blue, a tough-as-nails, filthy-mouthed, self-proclaimed virgin in love with one Jordan White (James Duval). Their rather mundane lives are thrown through the ringer when they help out a strange boy named Xavier (Johnathan Schaech), who leads them through an insane road trip of unintended violence. A trip, mind you, that showcases a slew of names from all walks of life -- Skinny Puppy (band), Margaret Cho, Dustin Nguyen (21 Jump Street), Heidi Fleiss (the Hollywood madam), Perry Farrell (Janes Addiction), Parker Posey, Nicky Katt (Dazed and Confused), Zak Spears and Rex Chandler (gay adult film stars), Christopher Knight (Brady Bunch), Lauren Tewes (The Love Boat)...
It is, however, a film spliced in tone. The first three quarters are violent, black comedy, while the last third makes the violence personal as the trio faces off against Neo-Nazis -- a rather apt juxtaposition between pulpy imaginary thrills and violence laced with a sense of reality.
Get dark with The Doom Generation now on SlashControl!
Mike White Starts a Santa Claus Civil War
Filed under: Comedy, Deals, Scripts
Not pleased with the likes of our latest serving of A Christmas Carol? Want a little more originality served with your ho-ho-ho's? This might be the answer: Variety reports that Paramount Pictures has tapped Mike White to write the script for a new comedy called Santa Wars. Oh yes, it's just like you'd imagine.This project will follow the story of two rival factions that emerged within a group of professional Kris Kringles, and how they "became arch enemies during a Santa Claus civil war." And I should probably point out -- this concept is based on a true story. It all stems from a segment on Ira Glass' radio show This American Life, which aired last December and talked about how two professional Santas formed the Amalgamated Order of Real Bearded Santas, only to become bitter rivals.
Talk about picking the perfect pen. White is the writer of all things weird, whether that be with creepy stalkers, transcript trouble, discontent with mundane life, rock 'n' roll classes, strange wrasslers, or dog obsession. Furthermore, he's jumped back and forth between mainstream and edgy indies, which means the potential for a film that will appeal to more than just the casual, family fare moviegoer. Let's just hope Paramount ignores this year's strange release schedules (Valentine's Day in the summer, Christmas before Thanskgiving) and serves this puppy up during the right season.
Forbes Determines Hollywood's Most Overpaid Actors
Filed under: Celebrities and Controversy, Box Office
Just the other day, I tackled the notion of whether A-List actors were becoming an endangered species. Now Forbes is adding to the celebrities woes with a list of Hollywood's 10 Most Overpaid Stars. Their criteria for the list: Look at the 100 biggest stars who have starred in at least 3 flicks opening in more than 500 theaters in the last 5 years, and calculate a return-on-investment by dividing total operating income on the 3 movies by the actor's total compensation (salaries and sales earnings). So, who could possibly end up on such a list? Hazard a guess? Well, here are some hints. The 10-spot actor, who has the biggest earnings for his pay, earns an average of $8.62 for every $1 paid, while the worst offender skyrocketed to the #1 spot with a pretty big flop this year, earning only $3.29 for every buck paid. Some of the names in the middle are quite expected, especially Tom Cruise and Eddie Murphy, the former still dealing with image issues, and the latter found out that his silly-comedy formula isn't working like it used to. Also, there is one lone woman on the list, but this actress might be a little hard to guess.
Considering the previous post and some of the names on this list, I think we might be seeing a big decrease in star-power pay over the next few years. But for now ... Who's the least-bad investment, the worst, and the woman? Can you figure out the names in-between? Take a stab and then check out the list after the jump
Robert Pattinson to Star With Uma Thurman in 'Bel Ami'
Filed under: Drama, Romance, Casting
The rumor mill was buzzing earlier this month with news that Nicole Kidman was going to, once again, go for the younger guy and star opposite Robert Pattinson in the adaptation of Guy De Maupassant's Bel Ami. While it turns out that Kidman is not taking the project on, another famous blonde is. The Hollywood Reporter posts that Uma Thurman will star opposite Pattinson, and Kristin Scott Thomas has also joined the roster.
The film will star Pattinson as George Duroy, an aspiring journalist who finds his success by bedding many of Paris' rich and powerful women. Thurman will play Mme Forestier, the married woman who sparks his ascension and later marries him, while Thomas comes into the picture as "a socialite who falls for Duroy, becoming clingy in the process."
Now, much has been said, or argued, about Pattinson's talents as an actor, and I'd say this will be the ultimate test -- whether he can hold his own against Thurman and Thomas. Pattinson won't be able to hide behind sparkles or quirky, mustachioed mannerisms this time around! Both have considerable talents, although Thurman in particular is long overdue for some meaty and buzz-worthy dramatic fare (it's also about time she got into some retro wordy romance as well, a la Henry and June). The drama will shoot next year in Paris.
What Makes a Real Vampire?
Filed under: Fandom
The Twilight Saga has whipped up a frantic fervor in fangirls, opening doors to female fandom while sticking incessant and neverending thorns in the folks who want Bella and Edward to go far, far away. But it's also brought up a pretty interesting argument: What makes a vampire? I teased about the notion yesterday when I wrote about the Daybreakers PSA; however, can we really define what makes a vampire beyond sharp teeth and a thirst for blood? And if we can, what is necessary and what can be finagled?
Vampires have been around forever in some shape or form, flying through the worlds of folklore and darkness before shuffling into their modern guise of pale, 19th century blood drinkers. In 1819, John William Polidori presented The Vampyre ushering in this idea of the mysterious man entering high society, seducing young women with vampiric charm. "In spite of the deadly hue of his face, which never gained a wanner tint, either from the blush of modesty, or from the strong emotion of passion, though its form and outline were beautiful, many of the female hunters after notoriety attempted to win his attentions, and gain, at least, some marks of what they might term affection." From then on, no lady was ever safe.
Robert Downey Jr. Wants to Retire?
Filed under: Celebrities and Controversy, Fandom, Newsstand
Retire. I am starting to hate that word in Hollywood. Most of the time it doesn't mean what it suggests. Retirement means ending work, maybe taking on a side gig if you really need to or are really bored, but for the most part, it's ending life in the workforce and enjoying a life of leisure. In cinema, however, it seems to be anyone who is taking a break from the biz. Luc Besson's "retired," as is Sean Connery. Now ... Robert Downey Jr.?The ever popular actor has told Entertainment Weekly that he might quit acting. "I've never had it this good -- this is my day in the sun -- and I certainly don't want to look a gift horse in the molars. But [my wife] Susan and I want to begin to be in our lives as much as we are in our jobs. I'd love just to sit here and say, 'What movie's playing tonight?' I'd love to finish the new book about D-day I'm reading. I love painting, I love music." And if you can get through that without your gut falling out in dread: "But here's the thing: I can only be a guy on a call sheet probably, I don't know, maybe a couple more times. It's something I'm so grateful to have in my palm, and yet I already see its inevitable decay."
He does leave room for hope by saying: "If Sherlock Holmes performs well, I could be busy for the next 5 or 7 or 10 years." But who knows whether that's just him appeasing potential fan backlash, dread at the thought of never catching a break, feeling uncertain in his career, or some other reason altogether. But if it's true and does happen, I shudder to think of Hollywood without his talent.
Get Ready to See 'Agora' Early Next Year
Filed under: Deals, Distribution
There's nothing better than the times when you get to blog about good news, and I hope this is just another spoke in a continual cycle: Variety reports that Newmarket Films -- the peeps who handled The Passion of the Christ -- has scored the U.S. rights to Alejandro Amenabar's Agora, and plan to release the film during the first half of next year. This is the second '09 TIFF film they've nabbed, the first being Creation, although I have no idea what would lead them to the much chastised Darwin pick before Rachel Weisz and Hypatia.As I mentioned in October, the film was a big, expensive risk, but seemed to be paying off. In four days, it earned the best opening weekend for 2009, over $10 million, and the second best opening in Spain ever. Now, it still holds onto the number one spot, and according to Box Office Mojo, has earned a healthy $16,698,345.
But it cost roughly $73 million, so there's still work to be done, which shouldn't be very hard for the U.S. market. $55 mil? We can do that! Really. Start planning now. It's well worth your time, whether you love historical epics, truly gorgeous filmmaking, cerebral cinema, or smart girls on the big screen. Go see it! Pretty please?
'Guardians of Ga'hoole' Gets a Killer Cast
Filed under: Animation, Casting
As much as I love a good animated film, sometime I have to sigh and wonder what would be if the same cast was in a live action feature. This is one of those times. Zack Snyder's Guardians of Ga'hoole has found its official cast, and it's a little different from earlier reports in January. Hugo Weaving and Ryan Kwanten are still in, Hugh Jackman is not, and there are a whole bunch of new folks. The Hollywood Reporter posts that the cast will be headlined by Sam Neill, Geoffrey Rush, David Wenham, and Weaving. (Mucho props to Elisabeth for guessing right on Wenham in April '08!) These guys will be joined by the likes of Aussie folks Emily Barclay, Abbie Cornish, Emilie de Ravin, Jay Laga'aia, and Kwanten. PLUS -- three Brit actors with Miriam Margolyes, Helen Mirren, and Jim Sturgess. Unfortunately, there's no cast rundown of who will voice who, and with that many names, I'm not even going to try guessing. Check out IMDb for a few casting names, but I'm not so sure on their accuracy since they list Sturgess as Soren, and THR lists him last, rather than naming him as a headliner.
Holy crap! Is it terrible that this news makes me sad and wishes this cast wasn't wasted on owls? Many of these actors could offer so much visually, and oh, how I'd love to see them play off of each other -- especially Wenham, Weaving, and Mirren. At the very least, it's got me itching to watch the story of the young owl Soren and his enthrallment with stories of the winged warrior Guardians of Ga'Hoole. How 'bout you?
For the Real Vampire Lovers: A 'Daybreakers' PSA
Filed under: Action, Comedy, Horror, Trailers and Clips
It's time for a brief reprieve from the romantic battles between painted-on vampiric pecs and CG fur. As you might know, the Spierig Brothers have whipped up an excellently dark vampiric flick called Daybreakers, which William Goss reviewed last month. The film is gearing up to hit screens on January 8, 2010, and in the midst of all the other vampire chatter out there, Lionsgate has whipped up a rather excellent public service announcement which you can see after the jump.If you have any questions or concerns about the movie, this PSA should answer them because it's a dead-on representation of the feature. It explains the film while also managing to describe the tone and style of the pic: dark, sleek, modern, and scary with a healthy dose of ridiculousness and comedy mixed in. These things might sound like they clash -- and to be honest, they do a little bit -- but not in any way that ruins the movie.
You know that whoever made this clip had a perfect understanding of the film and could sum everything up with delivery rather than unnecessary exposition. (Yes, there's a voiceover in this, but it's different than saying: "Daybreakers serves chills and laughs.") If only we could get this with all the trailers and marketing that floods our way...
Does the PSA tantalize you into seeing Daybreakers?
[via CHUD]
Discuss: Are You Tired of the Happy Comedic Ending?
Filed under: Comedy, Fandom, Fan Rant
Comedies are, by definition, doomed to a certain, set existence. Quoting Oxford's Concise Dictionary of Literary Terms: "Its ending will usually be happy for the leading characters. In another sense, the term was applied in the Middle Ages to narrative poems that end happily." This was compounded by the advent of New Comedy, which "abandoned topical satire in favour of fictional plots based on contemporary life: these portrayed the tribulations of young lovers caught up among stock characters such as the miserly father and the boastful soldier." So here we sit, doomed to repeat ourselves over and over because some dudes from way back when made laughs of a certain path. There will be an outbreak of shenanigans, some goofy stock characters along the way, and then the almost inevitable happy ending with cheek-pinching smiles, swelling music, and feel-good moments. A lot of the time, it works. We giggle, the credits roll, and we leave the theater feeling happy and refreshed.
But just as often, I find myself dreading the second half and that inevitable tonal shift. The film will begin to swell into a picture-perfect happy ending, characters softening and getting just what they need for the desired conclusion, whether that be saccharine sweetness, uncharacteristic responsibility, or Meet the Parents type chaos. The personalities and paths of the characters become second-fiddle to the need to wrap up the story. Rather than simply enjoying the world that's been set up, soon we must watch it wrap into a pretty bow.
Black Friday Movie Deals: Best Buy
Sex and Nudity Don't Draw You to the Movies?
What Makes a Real Vampire?
Robert Downey Jr. Wants to Retire?
Jaycee Dugard's Horrific Story to Get a Sleazy Adaptation
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